Another week has flown by under the Madrid sunshine... I had friends over to visit almost constantly, so this is my excuse for neglecting the blog!
Madrid is not the first place to come to mind on the list of
the world’s great tourist cities. This is in fact a topic I highlighted back in
my first post, unbelievably almost a month ago.
Yet Madrid’s crop of museums acts like a magnet for art
lovers the world over. The art scene revolves around the ‘Golden Triangle’ in the
south east of the city centre: the Museo
Thyssen-Bornemisza, the Centro de
Arte Reina Sofía, and the world-renowned Prado.
Every day during these summer months, crowds of tourists and
aficionados alike descend on these enormous, imposing buildings, to get their
fill of everything from Canaletto to Velázquez. Somewhat surprisingly for large
tourist attractions, I’ve found that each museum has a unique and memorable character.
Rather than scribble in a vaguely informative manner – there are guidebooks for
this and they do the job better than I can – I thought I’d share my personal
impressions, now that I’ve become intimately acquainted with these three
galleries (hooray for free student entry).
The Museo
Thyssen-Bornemisza is a private collection of artworks that belonged to the
esoteric German-Hungarian magnate, Baron Thyssen-Bornemisza. (There’s even a
garish glass-and-steel extension next door, built to house the copycat
collection of his widow).
It doesn’t compete on the level of world-class museums such
as the Prado or the Louvre, simply because it’s trying to do
something altogether different. Here you won’t find the stereotypical museum curators
engaged in their perpetual game of international one-upmanship, constantly
striving for the most exhaustive assembly of works from a particular artist in
one place. Instead you have before you the most comprehensive, high-quality
overview of Western European art I’ve seen anywhere.
Ordered chronologically from early Renaissance through to
the latest in pop art kitsch, movements in art are represented by two or three
seminal works from the leading artists in a particular style. It’d be the
perfect place to do a ‘beginner’s guide’ for the completely uninitiated. And
for those more in the know, the names inscribed on the gallery plaques read
like a ‘who’s who’... the big names are too many to mention. Such a
high-altitude overview makes for an invigorating gallery experience – and for
this alone, it’s my favourite.
The Centro de Arte
Reina Sofía is best-known for being home to Picasso’s wartime masterpiece, Guernica. This enormous canvas is infinitely
more moving in the flesh than it seemed when pasted into the pages of my year 8
art sketchbook. The rest of the second floor makes for a superb collection of
modern art (often with a Spanish twist); so there’s plenty of wacky Picasso,
disturbing Dalí, and the occasional splash of Kandinsky. As for the rest...
well the third floor is like a mystery, an inaccessible slab of concrete
bypassed by all elevators and stairwells. The remainder comprises a lukewarm
collection of either extremely experimental or box-checking boring modern art –
a sombre atmosphere to match the forbidding sheer walls of this cavernous old
hospital.
The Prado is huge.
Much like the Louvre, one day is
impossible for a full appreciation (a three-day ‘tapas’ approach works much
better). This self-satisfied cousin of its Madrid counterparts sits proudly on
the Paseo del Prado in Antonio
Villanueva’s purpose-built palace. It has all the swagger of a world-class
gallery, not to mention better translated blurbs.
I happen to have acquired quite a taste for 16th and 17th
century Italian art, as well as a mild obsession with El Greco. Both can be
attributed to this classy landmark, in whose elegant corridors I’ve spent many
an hour wandering, mildly incomprehensible guide map in hand.
Less rambling and
more scribbling to come...
El Prado |
Spanish of the Day
me aburro como una ostra - I'm bored to death. (Lit. 'you're boring me like an oyster'.)
escurrir el bulto - to bury your head in the sand.
No hay comentarios:
Publicar un comentario